Monday, June 27, 2011

Change, Identity and Rebellion

o First use of the word ‘subculture’-1940’s LA in reference to gangs

o First genuine subculture group were ‘The Zooties’ in the 1940’s, and at about the same time ‘Bikers’

o ‘Rockers’ (1977)

Youth Cultures-1950’s:

o High urban populations and improved standards of living

o Rise of the teenager is a demographic fact as a consumer group

o Disposable income and credits for young people

o Abolition of National Service in some countries

o Not many young people went to university at the time

1950’s:

o The relaxation of the Hays code

o The widespread popularity of television

o Films began to be directed at the youth market which were operated in a different way

o ‘The Wild One’ (1953)

o ‘Blackboard Jungle’ (1955)

o ‘Rebel without a Cause’ (1955)

o Formulaic teen movies ever since

o ‘Easy Rider’ (1969) A seminal counter-cultural film. First film to have music on the sound track that wasn’t scored.

Alienated youth on a killing spree:

o ‘Gun Crazy’ (1950)

o ‘Bonnie and Clyde’ (1967)

o ‘Clockwork Orange’ (1971)

o ‘Badlands’ (1973)

o ‘Natural Born Killers’ (1994)

o ‘Elephant’ (2004)

Hebdige/Hall and Jefferson Subcultures:

o They saw sub-cultures as resistance

o ‘Resistance through ritual’

o Opposing the dominant ideology

o Western consumption involved

o Japanese subcultures

o Working class but having money in style

o Symbolic resistance through style

o “The problematics of lived class existence”

o As un-employment kicks in-how does this affect subcultures?

o The idea of the subculture as young people who have jobs

o Hebdige on Bricolage-“The mods could be said to be functioning as bricoleurs when they appropriated another range of commodities by placing them in a symbolic ensemble which served to erase or subvert their original straight meanings…” (Hebdige, D.)

o Fighting of the synonymous enemies-for the mods it was the bikers

o Union Jacks-Mods utilised this symbol as a unifying symbol of identification

o Male dominated subcultures-Mods, bikers, skinheads

o Mods-influenced by Italians

o Things that are valued in their own right

‘This is England’:

o Finds his friends by hanging out with the local skins

o Looking back at Skinhead subculture

o Skinhead fashion never appeared as re-interpreted form on fashion catwalks

o Link between Skinheads and racism

o Skinheads against racism

o Nick Knight-whether there is anything you can retract

'This is England'

Subculture-Authenticity:

o Style leaders

o Active/creative consumers

o Innovative/original

o Opposing bourgeois values

o Resisting mass consumption/taste

o Picked up by cinema

o Style, taste and self-expression

Subcultures in Australia:

o much more related to consumption

Hebdige-two methods of ‘recuperation’:

o The commodity form-sub sued through commodity

o The ideological form

o ‘The Girl can’t help it’ (1955)

o ‘Jubilee’ (1977) –About a group of girl punks

o Appropriation

o Commodification

Sarah Thornton:

o Subcultures are not necessarily about resistance

o The creative and the commercial live side by side

o The boundaries between mainstream and alternative cultures are not distinct

o Subcultures are defined and created by entrepreneurs

o They are ‘taste cultures’, organised around ‘subcultural capital’

o Subcultural capital

o “While subcultural capital may not convert into economic capital with the same ease or financial reward as cultural capital, a variety of occupations and incomes can be gained as a result of hipness. DJ’s, club organizers, clothes designers, music and style journalists…” (Thornton, S)

Subcultures:

o Link to fashion-power of grunge in 90’s, and the return to authenticity

o ‘La haine’ meaning Hatred

o ‘Clubbed to Death’

Angela McRobbie-girls and subcultures:

o Suggests there were female subcultures, but they did not have the media presence

o Because female youth cultures were often based in the home and school, they were, to a large extent, ignored

o The notion that women, and in particular young girls, are excessively susceptible to domestic and consumer ideologies, has a long history

o Most girls’ magazines over-privilege the spheres of consumption and leisure in comparison to production and work

o Because they are not necessarily threatening or violent, most girl subcultures are often invisible to reporters and academics.

Film List:

o ‘Metropolis’ (1930)-First film to envisage the future

o ‘Blade runner’-Drew on themes in the film ‘Metropolis’

Italian cinema of the 50’s and 60’s

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